Overview
The definition of art is one of the most debated topics in aesthetics. It encompasses a vast array of practices including painting, sculpture, literature, music, and performance, serving functions from ritual to entertainment to social critique.
Core Idea
Art is distinguished from other human activities by its intent to communicate, express, or explore aesthetic and conceptual themes, often challenging the viewer’s perception or understanding.
Formal Definition (if applicable)
The Institutional Theory of Art (George Dickie) defines a work of art as an artifact upon which some person or persons acting on behalf of a certain social institution (the artworld) has conferred the status of candidate for appreciation.
Intuition
We intuitively recognize art when we see an object or performance that seems designed not just for utility, but for contemplation, expression, or aesthetic experience.
Examples
- Mona Lisa: A quintessential example of representational art.
- Fountain (Duchamp): A ready-made urinal presented as art, challenging traditional definitions.
- Beethoven’s 9th Symphony: A complex musical work expressing profound emotional and intellectual themes.
Common Misconceptions
- “Art must be beautiful.” (Many modern and contemporary works aim to shock, disturb, or provoke rather than please.)
- “Art must be realistic.” (Abstract and conceptual art prioritize form and idea over mimesis.)
Related Concepts
- Mimesis: Representation or imitation of the real world.
- Expressionism: Art that seeks to convey emotional experience.
- Aesthetics: The study of the principles of art and beauty.
Applications
- Cultural Heritage: Preserving history and identity through artistic artifacts.
- Therapy: Using art creation for psychological healing.
- Social Commentary: Using art to critique political or social systems.
Criticism / Limitations
Defining art is notoriously difficult; essentialist definitions often fail to account for the avant-garde, while institutional definitions can seem circular or elitist.
Further Reading
- Danto, The Transfiguration of the Commonplace
- Tolstoy, What is Art?
- Gombrich, The Story of Art